Portfolio · Lausanne → Château-d'Oex
Illustration · Sculpture · Painting · Digital · Photography
I'm an artist with a real love for working with people and helping them find things they feel excited about. Over the years I've worked across drawing, painting, sculpture, and digital illustration — always curious about what each material allows me to say. I always bring creativity and positive energy to any place I work.
Moving beyond the flat surface — three sculptural works exploring the body, movement, and constraint. Each piece in a different material, each asking a different question about form and feeling.
The body as subject — from loose life studies to careful anatomical observation. Working in ink and graphite to understand form, weight, and presence.
Curiosity about what's beneath the surface — skull studies from multiple angles, a hawk mid-dive in ballpoint, and the life-death duality of the rabbit series on tea-stained paper.
An ongoing series in the humblest tool there is — the ballpoint pen. No erasing, no second chances: portraits, animals, and moments built line over patient line.
Where drawing becomes storytelling — an inked bande dessinée page, two shopkeepers asleep in the afternoon sun, and machines that never existed: a shark rebuilt as a submarine, a flying boat resting on calm water.
A recurring subject — three horse portraits, each approached differently. The challenge of capturing presence and weight in pastel; the animal as a study in stillness and power.
Conceptual works exploring femininity, constraint, and cultural representation. The Japanese mixed-media canvas layers traditions and aesthetics; the red shibari painting distills the body to its most graphic form.
Portraits of places and companions — commissioned house portraits in gouache, wooden houses painted on every face, Swiss villages miniaturized onto river stones, and a menagerie of Christmas stones. Each one made for someone, about somewhere or something they love.
The practice of close looking — crushed snack bags rendered wrinkle by wrinkle, a hyper-detailed strawberry, a blossoming branch, a humble onion drawn from life, a monumental eye with the Alps reflected in its iris, a tarot card redrawn by hand, and the Palais de Justice in obsessive ink detail.
Every digital work begins with a drawing. These pieces show the full journey — from initial sketch to finished screen — because the hand is always present behind the pixel.
About the process
Each digital illustration begins as a pencil sketch on paper. The drawing is scanned and developed digitally — building light, colour, and atmosphere layer by layer.
Commission · "With Love for Miri"
Graphite on paper — commissioned piece
Further Works
A photography series exploring the female figure in a natural forest setting. Natural light, unposed stillness, and the body as part of the landscape.
"I always bring creativity and positive energy to any place I work."
Leary De Wit-Rockman is a multidisciplinary artist based between Lausanne and Château-d'Oex, Switzerland. Graduating with a Bachelor in BD Illustration from CERULEUM Lausanne (2020–2025), her practice spans drawing, painting, sculpture, digital illustration, and photography — driven by an insatiable curiosity about materials and methods.
She currently teaches comics and illustration to children aged 6–13 at JFK International School, believing that creativity and storytelling are fundamental to how we understand ourselves and the world around us.
Open for commissions, collaborations, and conversations about art.