Portfolio · Lausanne → Château-d'Oex
Illustration · Sculpture · Painting · Digital · Photography
I'm an artist with a real love for working with people and helping them find things they feel excited about. Over the years I've worked across drawing, painting, sculpture, and digital illustration — always curious about what each material allows me to say. I always bring creativity and positive energy to any place I work.
Moving beyond the flat surface — three sculptural works exploring the body, movement, and constraint. Each piece in a different material, each asking a different question about form and feeling.
[ Leary's note about her process with sculpture goes here ]
The body as subject — from loose life studies to careful anatomical observation. Working in ink and graphite to understand form, weight, and presence.
[ Leary's note about her life drawing practice goes here ]
Curiosity about what's beneath the surface — skull studies from multiple angles, insects observed with precision, and the life-death duality of the rabbit series on tea-stained paper.
[ Leary's note about observational drawing and natural science influence goes here ]
A recurring subject — three horse portraits, each approached differently. The challenge of capturing presence and weight in pastel; the animal as a study in stillness and power.
[ Leary's note on why horses, and working with pastels goes here ]
Two large-scale conceptual works exploring femininity, constraint, and cultural representation. The Japanese mixed-media canvas layers traditions and aesthetics; the red shibari painting distills the body to its most graphic form.
[ Leary's note on themes of constraint and cultural reference goes here ]
The practice of close looking — a hyper-detailed strawberry, a monumental eye with the Alps reflected in its iris, a tarot card redrawn by hand, and the Palais de Justice rendered in obsessive ink detail.
[ Leary's note on the role of studies in her practice goes here ]
Every digital work begins with a drawing. These pieces show the full journey — from initial sketch to finished screen — because the hand is always present behind the pixel.
[ Leary's note on digital as medium, and what drawing ability brings to it goes here ]
About the process
Each digital illustration begins as a pencil sketch on paper. The drawing is scanned and developed digitally — building light, colour, and atmosphere layer by layer. The sketch stage is shown alongside the final for each piece.
Commission · "With Love for Miri"
Pencil on paper — the foundation
Digital development
Finished digital work
Further Works
A photography series exploring the female figure in a natural forest setting. Natural light, unposed stillness, and the body as part of the landscape.
[ Leary's note on photography and directing the series goes here ]
"I always bring creativity and positive energy to any place I work."
Leary De Wit-Rockman is a multidisciplinary artist based between Lausanne and Château-d'Oex, Switzerland. Graduating with a Bachelor in BD Illustration from CERULEUM Lausanne (2020–2025), her practice spans drawing, painting, sculpture, digital illustration, and photography — driven by an insatiable curiosity about materials and methods.
She currently teaches comics and illustration to children aged 6–13 at JFK International School, believing that creativity and storytelling are fundamental to how we understand ourselves and the world around us.
Open for commissions, collaborations, and conversations about art.
Portfolio · Lausanne → Château-d'Oex
Illustration · Sculpture · Painting · Digital · Photography
I'm an artist with a real love for working with people and helping them find things they feel excited about. Over the years I've worked across drawing, painting, sculpture, and digital illustration — always curious about what each material allows me to say. I always bring creativity and positive energy to any place I work.
Moving beyond the flat surface — three sculptural works exploring the body, movement, and constraint. Each piece in a different material, each asking a different question about form and feeling.
[ Leary's note about her process with sculpture goes here ]
The body as subject — from loose life studies to careful anatomical observation. Working in ink and graphite to understand form, weight, and presence.
[ Leary's note about her life drawing practice goes here ]
Curiosity about what's beneath the surface — skull studies from multiple angles, insects observed with precision, and the life-death duality of the rabbit series on tea-stained paper.
[ Leary's note about observational drawing and natural science influence goes here ]
A recurring subject — three horse portraits, each approached differently. The challenge of capturing presence and weight in pastel; the animal as a study in stillness and power.
[ Leary's note on why horses, and working with pastels goes here ]
Two large-scale conceptual works exploring femininity, constraint, and cultural representation. The Japanese mixed-media canvas layers traditions and aesthetics; the red shibari painting distills the body to its most graphic form.
[ Leary's note on themes of constraint and cultural reference goes here ]
The practice of close looking — a hyper-detailed strawberry, a monumental eye with the Alps reflected in its iris, a tarot card redrawn by hand, and the Palais de Justice rendered in obsessive ink detail.
[ Leary's note on the role of studies in her practice goes here ]
Every digital work begins with a drawing. These pieces show the full journey — from initial sketch to finished screen — because the hand is always present behind the pixel.
[ Leary's note on digital as medium, and what drawing ability brings to it goes here ]
About the process
Each digital illustration begins as a pencil sketch on paper. The drawing is scanned and developed digitally — building light, colour, and atmosphere layer by layer. The sketch stage is shown alongside the final for each piece.
Commission · "With Love for Miri"
Pencil on paper — the foundation
Digital development
Finished digital work
Further Works
A photography series exploring the female figure in a natural forest setting. Natural light, unposed stillness, and the body as part of the landscape.
[ Leary's note on photography and directing the series goes here ]
"I always bring creativity and positive energy to any place I work."
Leary De Wit-Rockman is a multidisciplinary artist based between Lausanne and Château-d'Oex, Switzerland. Graduating with a Bachelor in BD Illustration from CERULEUM Lausanne (2020–2025), her practice spans drawing, painting, sculpture, digital illustration, and photography — driven by an insatiable curiosity about materials and methods.
She currently teaches comics and illustration to children aged 6–13 at JFK International School, believing that creativity and storytelling are fundamental to how we understand ourselves and the world around us.
Open for commissions, collaborations, and conversations about art.
Portfolio · Lausanne → Château-d'Oex
Illustration · Sculpture · Painting · Digital · Photography
I'm an artist with a real love for working with people and helping them find things they feel excited about. Over the years I've worked across drawing, painting, sculpture, and digital illustration — always curious about what each material allows me to say. I always bring creativity and positive energy to any place I work.
Moving beyond the flat surface — three sculptural works exploring the body, movement, and constraint. Each piece in a different material, each asking a different question about form and feeling.
[ Leary's note about her process with sculpture goes here ]
The body as subject — from loose life studies to careful anatomical observation. Working in ink and graphite to understand form, weight, and presence.
[ Leary's note about her life drawing practice goes here ]
Curiosity about what's beneath the surface — skull studies from multiple angles, insects observed with precision, and the life-death duality of the rabbit series on tea-stained paper.
[ Leary's note about observational drawing and natural science influence goes here ]
A recurring subject — three horse portraits, each approached differently. The challenge of capturing presence and weight in pastel; the animal as a study in stillness and power.
[ Leary's note on why horses, and working with pastels goes here ]
Two large-scale conceptual works exploring femininity, constraint, and cultural representation. The Japanese mixed-media canvas layers traditions and aesthetics; the red shibari painting distills the body to its most graphic form.
[ Leary's note on themes of constraint and cultural reference goes here ]
The practice of close looking — a hyper-detailed strawberry, a monumental eye with the Alps reflected in its iris, a tarot card redrawn by hand, and the Palais de Justice rendered in obsessive ink detail.
[ Leary's note on the role of studies in her practice goes here ]
Every digital work begins with a drawing. These pieces show the full journey — from initial sketch to finished screen — because the hand is always present behind the pixel.
[ Leary's note on digital as medium, and what drawing ability brings to it goes here ]
About the process
Each digital illustration begins as a pencil sketch on paper. The drawing is scanned and developed digitally — building light, colour, and atmosphere layer by layer. The sketch stage is shown alongside the final for each piece.
Commission · "With Love for Miri"
Pencil on paper — the foundation
Digital development
Finished digital work
Further Works
A photography series exploring the female figure in a natural forest setting. Natural light, unposed stillness, and the body as part of the landscape.
[ Leary's note on photography and directing the series goes here ]
"I always bring creativity and positive energy to any place I work."
Leary De Wit-Rockman is a multidisciplinary artist based between Lausanne and Château-d'Oex, Switzerland. Graduating with a Bachelor in BD Illustration from CERULEUM Lausanne (2020–2025), her practice spans drawing, painting, sculpture, digital illustration, and photography — driven by an insatiable curiosity about materials and methods.
She currently teaches comics and illustration to children aged 6–13 at JFK International School, believing that creativity and storytelling are fundamental to how we understand ourselves and the world around us.
Open for commissions, collaborations, and conversations about art.